For the 2018 Art in Odd Places BODY public art festival and exhibition at Westbeth Gallery in New York City, I performed Bruce Nauman’s “Body Pressure” (1974) on a bus stop wall. RE/TOUCH responded to the isolating impacts of capitalism on the city’s body by prompting physical connections. For the exhibition at Westbeth, I reassembled Nauman’s instructions into a poem and paired its lines with small documentary photographs, legible when standing close to the gallery wall.

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© 2024 Maya Pindyck